Winter Circle Productions and Action Packer Pro present...
-------------------------------------------------------
SUBlSURFACE

underground.bass.culture

feat...

Lazer Sword is the duo of san francisco based LOW LIMIT and LANDO KAL. we like to make music that sounds like your favorite top 40 rap shit chopped up into a tornado filled with razor blades and molasses. or maybe like Frank Zappa rocking the home made Lil John tank-top at the rooftop party… its fun to make and hopefully to listen to as well.
Mux Mool

Brian Lindgren’s life in music began in Minnesota with a cheap toy sampling keyboard (“I remember being so fascinated by how much a sound changed when you dropped it down several octaves”). Flash forward a few years (and more than a few keyboards), and the teenage Lindgren began recreating his favorite sounds—Dilla’s stutter-step beats, classic video-game music, abstract electronic noise—using software and digital effects, glazing them with tape hiss and vinyl static. An early Mux Mool track, the slinky strut of “Lost and Found,” was discovered by Moodgadget Records and released on their Rorschach Suite compilation, eventually finding its way onto iTunes’ Best of 2006 Electronic list. A string of EPs, tracks, and remixes followed, including the song-a-day project Drum EP, the grimy talkbox anthem “Night Court” on the Ghostly International/[Adult Swim] comp Ghostly Swim in 2007, and the Ritalin-fueled “Ballad of Gloria Featherbottom” on 2009’s Moodgadget-curated Nocturnal Suite on Ghostly. Mux Mool’s 2010 full-length debut, SKULLTASTE, is the culmination of years of toil and experimentation, gathering Lindgren’s myriad talents and obsessions into one gloriously sprawling document.

"Haunting melody, beautiful drums, Mesmerizing bass, complexity, yet simplicity.
I strive for emotion through music. Silence is my canvas.
Digital synthesis combined with Analog instruments.
Follow, listen, enjoy, share."

Links:
http://www.myspace.com/borisgladkill
http://soundcloud.com/gladkill

LIVE ART:

Michael Garfield:

“Super intense and completely focused…his attention to detail
consistently raised the quality bar.”
- Christopher Gaspar, playordownload.com

“Totally unique.”
- Michael Travis (String Cheese Incident, Zilla, EOTO)

Reflecting his years as a scientific illustrator, Michael Garfield’s
improvised freehand live paintings are a field guide to the beings that emerge at the energetic nexuses of live music. Each piece grows according to an evolving visual genome, translated from the throb of the house and the crowd into cross-sections of fireworks and undersea faeries, closed-eye tesselations and luminous fossils…vivid scenes of unabashed intensity, a celebration of verdant and exultant imagery written in the natural language of dreams.

Having only been at it for two years, Michael has painted in a legendary range of situations – from basement dance clubs to field concerts in front of 5000-person crowds – and alongside internationally renowned visionary artists Alex & Allyson Grey, Mark Henson, Kris D, J Garcia, and Mars-1. He was a featured visual artist at the Wakarusa, Sonic Bloom, Rothbury, Global Sound Conference, Trinumeral, Gem & Jam, Burning Man, and Rocky Mountain Crystallization Festivals, and spends much of his free time as de facto journalist and organizer for the growing live art community.

Check out his work, read the stories behind each painting, and connect at all the primo social networks:

Links:
http://michaelgarfield.blogspot.com/
http://www.myspace.com/michaelgarfield

Interviews:
http://maysmachete.blogspot.com/2009/02/michael-garfield-writer-painter.html

DISCOUNTED TICKETS ON SALE NOW!!!
http://subsurfacedos.eventbrite.com



Be sure to check out The Maison @ http://508maisonmusique.com/